Santa Cruz Public Library SoundSwell Project

June 5, 2013

sound waves

Attention all Santa Cruz musicians. Our library system is amazing and is ready to pay you to make your music available via download with an Santa Cruz Public Library card. Read all the details below.

Get your paperwork and CD in ASAP in order to be included!

DETAILS:

The SoundSwell team is looking forward to working with you on our local music database project. The library has always been a place where people can find music, movies and other materials for entertainment and enrichment. Other libraries across the country are starting to incorporate local music into their systems and with our thriving music scene, we thought it would be a great fit in Santa Cruz as well. Our hope is that it will be win/win for you and our library patrons. Ideally in addition to monetary compensation, we would like to help expose more people to your music and convert more fans, while helping our patrons diversify their local music collections.

The SoundSwell project is supported by a Library Services and Technology Act (LSTA) Eureka! Grant. The grant funding period covers most of the cost for licensing for the initial test database, which should be completed in August 2013. Under the licensing agreement, the library will pay you for a 2 year license as follows: $100 for a full length LP consisting of 9 or more songs, $75 for an EP consisting of 6-8 songs, and $50 for an EP consisting of 4-5 songs. During the term of the license, only those users with a valid library card will be able to download licensed songs. To raise this much revenue from iTunes, you would typically need 100 people to download one of your songs. If 100 people download your song from SoundSwell, you could gain 100 new local fans. That’s 100 people living in Santa Cruz who might tell a friend about your music or attend a show!

Another goal of the SoundSwell project is to establish a historical archive of the local music of Santa Cruz County. Although this aspect of the project will not be implemented until the database has been well established for at least a year, we believe that preserving this aspect of local community identity is important. That is why we ask in the license agreement for your permission to use your album in perpetuity in the archive. This archive will be streaming, but the music will not be available for download. Both the downloadable database and streaming archive will display live links to your band’s website or Facebook Page, making it easy for new fans to connect with your band, your projects, and your performances.

To receive a licensing agreement to review, sign and return email Jennifer at jenn@santacruzrehearsalstudios.com or Diane at cowend@santacruzpl.org . Please let either of us know if you have any questions or concerns or would like to meet in person to go over any aspect of the agreement prior to signing. Once fully executed, we would need you to deliver your CD to the library office downtown no later than one week, at which point the library will mail you your agreement fee.

To return signed license agreement:

Make an appointment with Diane Cowen to deliver the agreement in person or send the agreement with your original signature and W-9 form via US mail. Once the agreement has been received and signed by the library Director, the document will be scanned and emailed back to you with both signatures for your records.

First Friday, June 7 – Sara True

May 29, 2013

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Don’t bleed so loud, I can’t hear the TV

Artist Reception: 6-9 PM

artist statement:

Shadows are revealed in my paintings through humorous abstract narratives, featuring pop culture symbolisms of femininity. In “Dear Jimmy America”, a darkly intimate poem is paired with a comically painterly bra, while “The Great Mother Tit of America” depicts a red-and-white-striped breast lactating ice cream.

In “fun fair i-iii” I explore subtle emotive energies through gestural expressions of vibrant color. Triangular and pentagonal pieces of wood are painted with quick, intuitive movements of wrist and finger. Impressions of vegetal and organic forms emerge, but, like clouds, patterns continue to shift, leaving definition open to viewers’ imaginations.

New Summer Hours

May 18, 2013

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June 16 – September 1. Mon-Fri – open at 2 pm.

Still close at Midnight daily. Weekends remain the same.

We can make exceptions for full day lock-outs or other large scale bookings on a case by case basis.

From Paul’s standing desk May 10, 2013

May 10, 2013

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New piano in Room 1 gettin tuned by Fenton Murray next month. Thanks to master picker and slider Charlie Wallace for those keys and Wooster’s own Brian Gallagher for helping us move them. It’s gotta acclimate in there for a month. Fenton’s got some sick B-3 Hammond type stuff for sale on the bulletin board. You’d be hard pressed to find better old school Hammond know-how than Fenton. New drums in there too on perm loan from Jeff Fabb while he’s on the road w/ the Durbinator and Filter. Thank you Jeff you fuckin Long Island guy…

Mountain Tamer is going into the studio to capture some of that psychadelic freakout they do so well. East Palo Alto  for those sessions…Dead Remote went to that place too…

Marc from the Humboldt Squid’s putting together the Planetarium band. Got Long John on the skins for that project. Looking forward to that collab w/ members of the Black Pajamas. Farmer Gabe’ll be using his Laney there…

Word is that Jesse’s back from Vampirates U.S tour. A Thousand Shall Fall’s been writing away in his absense. Get some o that scream on those new numbers…

It takes a hundred times to get thru my thick skull…finally got some bottled water for sale here. Some folks just don’t like that  chloronated stuff we give away…..nuthin’s free, right?

Fruit Stripe band! Roy G Biv’s making posters for them…that guy is good…

Who dropped off fliers here let’s see…

-Inciters with the Boars this Friday (tonite!) at the Bocci’s cellar right around the damn corner. Gettin some blue-eyed soul on there…they don’t fuck around!

-Sambada at Moe’s May 11. Some new members on bass and percussion in the mix there. Always some interesting grooves comin from that outfit.

-Sharon Allen and friends got their cowboy boots on down in Corralitos Cultural Center tomorrow night May 11. She was workin on some cool Little Walter tune the other night.

-Requiem for the Dead May 31 at Slim’s. Branchin out to the City that’s good. Thanks to bassman Finn for the 6×10 SWR Goliath on perm loan..

Santa Cruz Music Fest still have any slots open?

If I left you out I’ll get ya next time…Thanks for checkin in…

Storage Locker #4 Available

May 9, 2013

Open vacancy in storage locker #4.

Big enough to fit a lot of shit.

Rental Rate: $1 a day payable at the end of every month.

First Friday, May 3

April 19, 2013

Picture of Success
Paintings and Prints by Lois Rosson

Lois is a painter, print-maker, radio personality, and self-proclaimed historian.
Friday, May 3
Artist Reception: 6-9 PM
Santa Cruz Rehearsal Studios
118 Coral Street (Harvey West)

http://loisrossonart.com/

Exhibit will be available for the entire month of May and can be viewed during normal rehearsal studio hours.

New SCRS Gear

April 18, 2013

 

In an effort to keep things interesting, we’ve added a few new items to the $1 per hour rental list for our bass playing friends. Introducing:

  • SWR 6×10 Goliath Sr. Bass Cabinet
  • Ampeg SVT 3 Pro Bass Amplifier

Getting on the Radio

February 23, 2013

vinyllives

Way back in January SCRS hosted a ‘Getting on the Radio’ panel. It was awesome. It was also winter flu season, so a lot of people emailed and said they were sorry they could not make it. Here are the top things I learned as well as an audio link if you feel like listening.

Audio Link:
http://www.scica.org/visual-arts/scica-music-lecture-series-how-to-get-your-music-on-radio/

We *hope* to find someone to help us edit down the video, but don’t hold your breath for that, right now, focus on reading.
Featured Guest Panelists:

“Sleepy” John Sandidge [DJ - KPIG & KZSC]
Lois Rosson [Program Director - KZSC Santa Cruz]
Geo Warner [Volunteer Coordinator for Music Programming KUSP]
Sandino Gomez [Free Radio Santa Cruz]

1. Getting your own radio show on Free Radio Santa Cruz is the easist way to get your music heard. They are also the only local station that will take digital files

2. If you send KZSC (and 99% of non-commerical radio) a CD in a paper sleeve, it will not make it on air. It must be a digi or a jewel case. If you have to, hand make a few of your sleeves into this format for radio.

3. When your CD arrives at KZSC it goes to a processing locker, it gets labeled and put into the air room for general staff to play for about 2 months. After that, it gets added to the perminent collection, or it gets purged.

4. For all stations, always list what tracks are not FCC compliant on a sticker on the CD.

5. Forget commercial radio for now, they won’t even look at it. Instead make a connection with a non-commercial DJ in your area.

6. Email is the best first contact. Introduce yourself, let us know to expect your CD.

7. Follow-up to break through the noise. Try not to be annoying but following up shows the station that the musician really cares about being played and that can shift you to the top.

8. If you are producing a CD – remember:

  • Make sure the cover doesn’t suck. People DO JUDGE a CD by its cover.
  • List times at the end of songs (radio stations do NOT like it when they don’t know the times, makes it hard for them to build thier set, etc.) AND numbers in front of the cuts.

9. If you are sending a CD – remember:

  • Include a letter size flyer (ONE SHEET ONLY) with the CD – include name of artist (and how to pronouce if unusual), genre category, contact info, breif quote & descriptoin of music, list any gigs you are promoting or tour you are doing, use easy to read fonts. Make sure there is a picture of your CD on the flyer in case it gets seperated from the CD. Do not go into a narrative history of your band – it does not help and nobody will read it. Save that for your website bio.
  • If you are sending a CD to promote a specific show – list that time sensitive show date on the outside of the package when you send to radio. TRY to send at least a few weeks in advance of the date. The earlier the better.

10. College and community based radio is poised to take over. They are the only station around that still have a real local focus and mean something to communities.

DeliRadio on SCRS

February 5, 2013

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Our website now has a new DeliRadio.com music player on our website to promote local shows. Getting your music on our player requires a DeliRadio profile, and if you don’t have one yet, go here –  
http://deliradio.com/quickjoin
  (takes 1 minute) and they’ll make one for you.  Once your profile is finished, you’ll get the login info and be included on the SCRS page (as long as you list your dates with Songkick – see below for that information). Please note, they can only accept ORIGINAL material (sorry no covers).

Create an account with Songkick and list your Santa Cruz shows  –
http://www.songkick.com/home
(SIGN IN AS ARTIST). Songkick populates a LOT of different sites with concert dates so I would recommend you put any and all dates on there.

Getting on the Radio

January 5, 2013

SCICA Radio

A Free Round-Table Discussion Featuring Tips and Tricks from Industry Insiders

Featured Guest Panelists
“Sleepy” John Sandidge [DJ - KPIG & KZSC]
Lois Rosson [Program Director - KZSC Santa Cruz]
Geo Warner [Volunteer Coordinator for Music Programming KUSP]
Uncle Dennis [Freak Radio Santa Cruz]

Free but donations for room rent will be accepted. The room can be cold so bring some extra layers.

We’ll also have a swag table if you want to bring biz cards, upcoming show info, etc.

The Santa Cruz Institute of Contemporary Art is at the Tannery Arts Center (1050 River Street – #127).

You can park in either lot and then just walk towards the middle and you’ll find the room. Facebook RSVP.


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